“Classification”，as a special way of stylistic classification，was greatly developed in the Qing Dynasty.This approach balances the similarities and differences among literary genres，which is of great help in clarifying the complicated system of ancient Chinese literature. The standards for genre classification adopted by Qing scholars reflect their conceptual framework which emphasizes functionality， with content and form as secondary considerations， coexisting alongside multiple factors. This concept of genre classification showcases a pronounced advantage of utilitarian value over aesthetic value in ancient Chinese literature. Such an advantage stems from ancient Chinese views on literature and styles： the essence of literature is social life itself，while the style is the result of the typification of “text units” in daily life and behavior. This concept led scholars to place excessive emphasis on the functional characteristics of literary styles， infusing the literary stylistic system with the principles of “li” 礼 that governed ancient lifestyles. Qing scholars’ concept of genre distinction in stylistic classification emerged from such literary and cultural context. However，delving deeper into its origins reveals a close connection with the holistic way of thinking prevalent among ancient Chinese scholars. Additionally， Qing scholars’ exploration of aesthetic and lyrical characteristics in stylistic classification highlights the indigenous factors that contributed to the formation of modern concept and framework of pure literature in China.